KIM WAALE

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AWARDS, RESIDENCIES

(2008) Art Colony Galichnik, residency, Macedonia

(2007) Sólo con Natura, residency, Isla Santay, Guayaquil,
Ecuador

(2005) Harlech Bienniale, Artist-in-Residence, Harlech, Wales, UK

(2006) NYFA and UCCCA Special Opportunity Stipend grant (also 2003, 1998, 1996, 1995)

(2001) Light Work grant for photography - http://www.lightwork.org/

(1999)
Constance Saltonstall grant for sculpture
Onondaga Individual Artist’s grant for film

(1997) International Studio Program, Artist-in-Residence, NYC
funders: NYSCA, Elizabeth Foundation, Hallwalls Contemporary Art Center

(1996)
Sculpture Space, Artist-in-Residence, and fellowship, Utica, NY
Millay Colony for the Arts, Artist-in-Residence, and fellowship, Austerlitz, NY

(1995) Villa Montalvo, Artist-in-Residence, Saratoga, CA

(1992) Berllanderi Sculpture Workshop, Artist-in-Residence, Raglan, Wales, UK

EXHIBITIONS
(2008)
Warehouse Gallery, Windows Project, Syracuse, NY
Art Colony Galichnik, group exhibition, Macedonia

(2007)
McCormick Freedom Museum, Filth, Treason, Blasphemy? Museums as First Amendment Battlegrounds, Chicago, NY
Schweinfurth Art Center, Made In New York, Auburn, NY
Wilson Gallery, solo exhibit, LeMoyne College, Syracuse, NY
St. David’s Church, Celebration of the Arts, Dewitt, NY
Cazenovia College Gallery, Faculty Exhibition, Cazenovia, NY

(2006)
Shumen, Bulgaria, 2nd International Biennial of Contemporary Art
Scala Gallery, Collage , New Woodstock, NY
(2006) continued
Cazenovia College Gallery, DADA Domestique, (curated by Jen Pepper)
Everson Museum, Everson Biennial (curated by Claire Schneider), Syracuse, NY
Schweinfurth Memorial Art Center, Carved, Cast and Constructed, Auburn, NY
Robert B. Menschel Gallery, Digital Transitions, Selections from the Light Work Collection, Syracuse, NY
Cazenovia College Gallery, Faculty Exhibition, Cazenovia, NY

(2005)
Harlech Bienniale, Harlech, Wales, UK
Rosefsky Gallery, Narrative Structures, SUNY Binghamton, NY

(2004)
William Blizzard Gallery, solo exhibition, Springfield College, Springfield, MA

(2003)
Stone Quarry Hill Art Park, Amphitheater, permanent outdoor installation, Cazenovia, NY
Winner Gallery, Site-Installations, Stone Quarry Hill Art Park, Cazenovia, NY
Hamilton College, Three Women, performance with choreographer Elaine Heekin, Clinton, NY

(2001)
Light Work, 2001 Grant Recipients, Syracuse, NY

(2000)
Millay Colony, Art at the Steepletop, Auterlitz, NY
State of the Art Gallery, Saltonstall Artists, Ithaca, NY

(1999)
Pyramid Art Center, Upstate Invitational, installation with Leo Crandall, Rochester, NY
First Night, premier of 16mm film High Spirits, collaboration with Leo Crandall, Syracuse, NY

(1998)
A.I.R. Gallery, solo exhibition, New York, NY
Hallwalls Contemporary Art Center, Stagings I, solo exhibition, Buffalo, NY
Munson Williams Proctor School of Art, 2 person exhibit, Utica, NY
Albany Center Galleries, A Good Look: The Adolescent Bedroom Project, solo exhibition, Albany, NY
Everson Museum, 1998 Biennial (Bill Arning, juror), Syracuse, NY
Kirkland Art Center, Exquisite Corpse, collaboration with David and Richard Lloyd,
(Mary Murray, curator), Clinton, NY
Schweinfurth Art Center, annual juried exhibit, (Jerome Witkin and Katherine Kreisher, jurors),
Auburn, NY

(1997)
International Studio Program, New York, NY
Museum of History and Art, Rice Gallery, Work/Place (Janice Dorgan, curator) Albany, NY
Munson Williams Proctor Institute, Annual Exhibition (Judith Shea, juror) Utica, NY

BOOK
A Due Voci: the Photography of Rita Hammond,
Kim Waale, Julie Grossman, Ann Ryan, eds., Syracuse University Press (2003)

PUBLICATIONS (selected)
The Post Standard, “Pushing Sculpture’s Boundaries,” by K. Rushworth, Syracuse, NY (4-2-06)
Contact Sheet, Light Work, Syracuse, NY (2002)

Salt Hill 9, “Artist, Kim Waale,” Caryn Koplick, ed., cover and article, (fall 2000)

Saltonstall Broadside, collaboration with poet Sheldon Flory and Olive Branch Press,
Ithaca, NY (2000)

Planet, the Welsh Internationalist, 16mm film stills from “Bear Woman,” UK (April 2000)

Art Calendar, “The Censorship Tug-of-War,” by Karen Pero, (Sept. 1998)

FYI (NYFA Quarterly), “The Artist, the Institution, the State,” two consecutive articles
(summer & fall 1998)

Times Union, “Art and Argument,” by Timothy Cahill, Albany, NY (3/1/98)

National Campaign for Freedom of Expression Quarterly, “Artists Pull Work…”
(spring 1998)

The Post Standard, “Syracuse Artist, State Museum,” by Sherry Chayat, Syracuse, NY (2/12/98)

Sculpture, Inspiration and Renewal: Sculptural Residencies,” by Jane Ingram Allen,
Vol. 17 No. 2, (1998)

PROFESSIONAL EXPERIENCE (selected)
Professor of Art, Cazenovia College, Cazenovia, NY (1988-present)
Director of Studio Art, Cazenovia College (2003-present)
Syracuse University, MFA in Sculpture (1989)
Moorhead State University, BA, Moorhead, MN (1982)

Guest Lecturer:
Everson Museum, Syracuse, NY (2006)
University of Wales, Bangor, UK (2005)
LeMoyne College, Syracuse, NY (1997-2007)
SUNY Binghamton, Binghamton, NY (2004, 2005)
Springfield College, Springfield, MA (2004)
Colgate University, Hamilton, NY (1999)
Pyramid Art Center, Rochester, NY (1999)
SUNY-ESF, Syracuse, NY (1998)
Marywood University, Scranton, PA (1998)

Board Member:
Light Work 2006-present
Cultural Resources Council 2001-2007
Stone Quarry Hill Art Park 2006-2007